Guides & Articles

12 movies shot on virtual sets

March 23, 2023

In recent years, new technology has emerged that has drastically changed the way movies are made, and it’s become a lot more prevalent than you may realize.

NantStudios builds world’s largest LED volume in Melbourne

March 14, 2023

NantStudios, a leading technology-driven virtual production studio have built two new LED in-camera VFX stages at Docklands Studios Melbourne, including the world’s largest LED volume.

The Mandalorian Returns: Jon Favreau’s Exclusive Tour of the Secret Set

March 13, 2023

Now, it’s not a secret that the show makes use of Industrial Light & Magic’s StageCraft technology, which creates photorealistic alien landscapes on a colossal curved LED wall called a volume.

Digital Camera Systems unveils first wireless lens encoder for VP

February 21, 2023

The LDT-V2 streams lens data directly to the media player, enabling freedom of movement for camera operators.

The new challenger within the film industry

February 18, 2023

We asked Zoltán Bathó, VP & VFX producer at DIGIC about the current state of the technology and its future prospects.

Recreating reality: eliminating artefacts

February 17, 2023

Visual artefacts on an LED screen are like dirt on a window – they break the illusion and make you aware there is something between you and the scene.

Report finds 40% of current projects using VP

February 16, 2023

The report surveyed 132 industry executives, it found that 40% of their productions are currently using virtual production tools, while 50% are likely to adopt them in the coming 18-24 months.

Mo-Sys at ISE 2023

January 25, 2023

Mo-Sys is partnering with four technology partners at ISE 2023. Join them at the show where they will be happy to demonstrate their VP solutions.

Introducing Amazon Studios Virtual Production

December 8, 2022

Amazon just opened one of the biggest VP stages in the world in LA, Culver City.

Mo-Sys founder on the cost-effective efficiencies in Hybrid VP for small to medium budget projects, and corporate content producers under increasing pressure to create more-for-less with a recession looming.