A Virtual Production News Website
Framestore has made Tim Webber’s FLITE available to watch in full online. The studio relied on brand new proprietary toolsets and workflows to bring Unreal Engine into their film pipeline to make the short.
Article by Jourdan Aldredge, Aug 21, 2023, NoFilmSchool. Image credit: Sony In what should come as no surprise to anyone, studios are continuing to explore virtual production technology to see …
Sony testing real-time cameraless production for new Ghostbuster movie Read More »
The concept of shooting the promo for the Chemical Brothers latest release Live Again on an LED stage was an entirely new experience.
“Barbie was shot on Warner Bros. Studios Leavesden’s V Stage in the UK which Lux helped design, build, and operate using Unreal Engine. The film utilized four other soundstages at Leavesden and took advantage of the V Stage for car process scenes such as Barbie’s convertible in Barbie Land.
Over the next few months, we’ll be publishing a serialized step-by-step guide that will explain how to use virtual production workflows for visualization.
This month, we’re reflecting on the incredible growth of virtual production across film, TV, animation, broadcast, and live events, and taking the opportunity to bring you a new line-up of events, Spotlights, and helpful resources.
Cinematographer Steven Holleran and director Yuval Adler use plate photography and an LED-wall stage to help present a nefarious night on the road.
When it was first unveiled as an integral ingredient in “The Mandalorian,” StageCraft made a lot of jaws drop. Let’s see how it evolved since then.
1899, the mysterious Netflix series set on the steamship Kerberos that was largely filmed on a LED volume at Studio Babelsberg.
An introductory Virtual Production video by Alex Pearce at NAB 2023.